With my Model 33, I had persistent adjustment problems with some of the keycups on the lower joint. I would get the horn set up just so, test it at the repairman's shop, put it into the case, cart it home and to a job, and bingo - the same keys would need adjustment again. It turned out that the Plywood cut-out in the case's 'guts' was impinging on the keys in question. I started out 'fixing the problem' but placing a rolled-up washcloth atop the joint before shutting the case, thereby holding the joint in place a bit tighter. Ultimately, the solution was to pull the case guts, trim off the offending portion of the 'template' that served as the hanging support for the case fabric, and then put it all back together again.

A bit of trouble, but the problem is now fixed (but, see below). Incidentally, I have been in the market for a new case for my horn for over fifteen years.

There is a serial number on the body: 584168. History of the Bundy company, (acquired by Selmer, some clarinets are resonite plastic, etc.).

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However, you can't apparently buy one from Selmer. (Three attempts were made, each time with the full reassurance that the case was custom made for the horn. Each time, the bottom joint would not fit in the custom made case. I think that they sent me the same case twice, in once instance.) One other thing. If you ever decide to have your horn overhauled and silver plated, do not have the floor peg silver plated. I did, and have regretted it ever since, as the screw does not 'bite' the peg when it is coated with the silver.

(I have a nickel-silver one that works just fine, but is unfortunately for a low Eb horn - way too long unless you want to play standing bent over double). I've played subsequent basses from Buffet and Selmer, and even the highly rated new Selmer model does not stack up favorably. My opinion, of course, and with the caveat that I've played my Model 33 for thirty-odd years, whereas I've never spent more than a month with any other horn (and usually only a couple of hours). One thing that I can state with conviction, though: avoid any professional basses from Leblanc from the period 1960-1990. I've tried (on a loaner basis) significant numbers of them, and all had the dreaded no linkage register key and (in my opinion) the poorly implemented 'fork Eb' feature on the lower joint.

Clarinet

Stuffy, unresponsive, hard to coax out the the altissimo, and with a very poor neck angle in the bargain. With my Model 33, I had persistent adjustment problems with some of the keycups on the lower joint. I would get the horn set up just so, test it at the repairman's shop, put it into the case, cart it home and to a job, and bingo - the same keys would need adjustment again.

It turned out that the Plywood cut-out in the case's 'guts' was impinging on the keys in question. I started out 'fixing the problem' but placing a rolled-up washcloth atop the joint before shutting the case, thereby holding the joint in place a bit tighter. Ultimately, the solution was to pull the case guts, trim off the offending portion of the 'template' that served as the hanging support for the case fabric, and then put it all back together again. A bit of trouble, but the problem is now fixed (but, see below).