The Sound Explosion were formed in Athens, Greece, in May 1991 by four young gentlemen obsessed with all the great mid 60's garage and beat bands from all parts of the world. The line up was John (vocals, 6 and 12 string Vox guitar, harmonica), Jim (Eko bass, backing vocals), Stelios (Farfisa organ, maracas, backing vocals) and Stavros (drums, tambourine). The band started playing alone and together with other bands, such us the Fuzztones, Dead Moon, the Marshmallow Overcoat and the Others. Their wylde stage act attracted the attention of garage freaks from all over the globe. As a result, the band started recording and releasing various 45's and a full length LP/CD, which got rave reviews from fanzines and magazines and considerable airplay from radio stations worldwide. While things started looking promising for the band, studies, day jobs, army obligations, some 'internal frictions' ('we hate each other in the band' was a common phrase in the Sound Explosion ranks!), alien abductions etc, sadly put a sudden end to the band in early 1997.

Can - 2011 - Tago Mago (1971) (2 CD) In celebration of the 40th anniversary of the release of Can’s convention-shifting double album Tago Mago, Spoon Records have given the record a new lease of life.

It looked like The Sound Explosion were gone for good! Yet, some things never change. So, you're right kids.

Michelle Lynn Johnson, better known as Meshell Ndegeocello (/ m ɪ ˈ ʃ ɛ l n d ɛ ˈ ɡ eɪ oʊ tʃ ɛ l oʊ /; born August 29, 1968), is an American singer-songwriter, rapper, and bassist. She has gone by the name Meshell Suhaila Bashir-Shakur which is used as a writing credit on some of her later work. Me'shell Ndegeocello is ranked number 2,012 in the overall artist rankings. Cookie: The Anthropological Mixtape [PA] CD #0831BA. Meshell Ndegeocello. American singer-songwriter, bassist and vocalist. Born on August 29, 1968 in West Berlin, she has been nominated for ten Grammy Awards. Mother of Askia Ndegeocello. The Spirit Music Jamia: The Dance of the Infidel. Comfort Woman. Cookie: The Anthropological Mixtape. Meshell ndegeocello - comfort woman - 09 - good intetions.mp3 5,342 KB meshell ndegeocello - comfort woman - 10 - thankful.mp3 4,781 KB Cookie-_The_Anthropological_Mixtape.

THE SOUND EXPLOSION ARE BACK!!! Can was a German experimental rock band formed in Cologne, West Germany in 1968 by the core quartet of Holger Czukay (bass), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group cycled through several vocalists, including Malcolm Mooney ('68–70) and Damo Suzuki ('70–73), as well as various temporary members. Drawing from backgrounds in the avant-garde and jazz, Can incorporated minimalist, electronic, and world music elements into their often psychedelic and funk-inflected music. They have been widely hailed as pioneers of the German krautrock scene. The band used the names 'Inner Space' and 'The Can' before finally settling on 'CAN'.

Liebezeit subsequently suggested the backronym 'Communism, Anarchism, Nihilism' for the band's name. In mid-1968, the band enlisted the creative, highly rhythmic, but unstable and often confrontational American vocalist Malcolm Mooney, a New York-based sculptor, with whom they recorded the material for an album,Prepared to Meet Thy Pnoom. The next few years saw Can release their most acclaimed works. While their earlier recordings tended to be at least loosely based on traditional song structures, on their mid-career albums the band reverted to an extremely fluid improvisational style. The double album Tago Mago (1971) is often seen as a groundbreaking, influential and deeply unconventional record, based on intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing (frequently intertwining each other), tape edits as composition, and Suzuki's idiosyncratic vocalisms.

Czukay: '(Tago Mago) was an attempt in achieving a mystery musical world from light to darkness and return.' The later albums Landed (1975) and Flow Motion (1976) saw Can moving towards a somewhat more conventional style as their recording technology improved. Kamennij vek v kazahstane kratko y. Accordingly, the disco single 'I Want More' from Flow Motion became their only hit record outside Germany.