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Mick Goodrick has written a three volume masterpiece of chord voice leading and harmonic movement. In it are all the possible combinations (without doubling) of three and four part chords.

It was written by a guitarist. It was written for guitarists. There are things Mick has found that are not playable on the guitar is you know it, but they are sounds that are possible in the voice leading world. It has applications well beyond the guitar. I want to create a thread here on the forum that is devoted to the constructive exploration and adventurous creative application of this material. Please use this thread as (pretty much the only) open ground and community meeting space for all interested in using the materials of these books.

Dense as they are, these books are concentrated written out manifestations of theoretical voice led harmonies in cycles based on the consistant progressions of intervallic root movements. They are not music. There is no instruction on how the resultant sounds are used or even how they are negotiated on the guitar. That's for us to do. Welcome to the Goodchord voice leading thread.

All contributions, clips, questions, comments, frustrations, revelations and discoveries are eagerly anticipated. Thanks David Last edited by TruthHertz; at 05:18 PM. Reason: Original posting #1 has disappeared. Yes, advancing guitarist you can still get.

The voice leading almanac is out of print with no plans for a resurrection, that's why I was wondering if anyone worked with them. They were like the immersion language version of sounds you never thought you'd get out of a guitar. He meticulously and exhaustively worked out all permutations of voicings in cycles, and the sounds are so subtle that much of the time you can't tell what the harmony is, it's just like shadows moving over a landscape.

I posted this because, though they went out of print a couple of years ago, there must be some people who have worked at least some of the cycles through and use these things in their playing. I wanted to find out just how it's working out. When I asked him what the book was about, after the first volume came out, he said 'the harmony we know is like the fish in the sea. We think of all these kinds of fish, all shapes and sizes, but what we know is just the ones that live along the surface. They're sun loving creatures. Beneath that there's an ocean filled with creatures we've never encountered.

These are the sounds that voice led cycles will reveal: beings with all sorts of things sticking out, strange shapes that move in beautifully unimagined ways. Then he played some and I swear it wasn't a guitar he was playing. Like Bach chorale meets Stockhausen. I was hoping with this being a jazz guitar group, and one with adventurers looking for new arranging approaches, I might find someone that is making their way through those books. I have the 1st book and have seen the others. Mick presents many scale derived chords voice led through all the cyclical diatonic progressions.

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I see this as fundamental awareness of the inherent harmonic content of a scale. Nothing profound or conceptually complicated but I believe that building this type of thorough foundation can change one's musical world. Book #1 addresses triads, 7ths, 1 5 7 9 and 1 7 9 11 triad over bass note structure derived from major, melodic minor and harmonic minor scales. Ah, you are a rare and hard to find individual! For as many people I've met who actually work with the book, there are that many approaches. Some begin to see the intervals of root movement differently and have acquired an entirely different set of voicings merely from using it.